She who laughs last laughs longest

Asides attempting to secure a conviction by arguing that a hyperlink posted to a blog page constitutes sending grossly offensive material, the prosecution will also have to persuade the judge that the content of my songs is indeed grossly offensive.

A difficult task, when there exists no legal definition of grossly offensive, not to mention an array of examples which would suggest that it is I, myself, who is being targeted rather than my songs.

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UK today – Songs about Jewish Lies, Power and Control now a Criminal Offence

 

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Last week, for having expressed myself musically via the Internet, I was entertained at Her Majesty’s pleasure during 48 hours.

Clearly at the beck and call of my predatory stalkers, police first arrested me for an alleged breach of bail outside Court 8 at Westminster Mags then, ten minutes later, de-arrested me. Within half an hour, I was re-arrested on suspicion of inciting racial hatred for my songs (again), handcuffed and carted off to Charing Cross police station where I was held for six hours to await two officers from Derbyshire police to take me back to my home county for questioning.

In Buxton, I spent another 31 hours in custody, was interviewed, rearrested for breaching bail and for another count of sending a ‘grossly offensive message’ – i.e. posting another humorous song on YouTube, clearly marked as SATIRE and which contains NO HATE SPEECH whatsoever –  and finally charged with the latter two offences. I was told that the incitement charge is pending police investigation. I was refused bail and informed that police had requested I be held on remand.

On the morning of October 6th, I was again handcuffed and driven in a prison bus to Chesterfield Immediate Remand Court where I pleaded not guilty to malicious communications and was freed under the same bail conditions with the new charge transferred to the next legal argument hearing at Westminster on October 25th.

Now, three days after being released and of course being the subject of all-too-predictable arrogant gloating online from my predatory stalkers (yet total silence from the mainstream press), my impression is that my persecutors were trying to break me.

I was treated badly at Charing Cross, made to suffer three hours of torture in a freezing cold police van with no seat and refused a number of my rights. I have compiled a fully detailed report which has been sent to my lawyers.

All for singing satirical songs? What has happened to this country, when the authorities behave in such a despicable manner towards an artist who has never caused any harm to anyone? What do my predatory stalkers hope to achieve?

Anyway, I am absolutely fine. As I have said before, this kind of persecution only strengthens my resolve. Thanks to everyone who has sent me kind words of support.

The Crown now must convince District Judge Zani that ridiculing Jewish lies, power and influence in a song is grossly offensive. Other points of law to be discussed at the next hearing are whether sharing a URL constitutes sending or causing to be sent a grossly offensive message and deciding whether YouTube is a public communications network.

My bail terms specify that anything I post has to be BOTH racist/anti-Semitic AND grossly offensive in order for me to be charged with a breach. Certainly, one of the interviewing officers didn’t seem to be offended at all – one foot tapping the beat during the showing of a police screencapture video of my alleged musical crimes!

If my trial goes ahead, all the footage of the three songs concerned will be shown in court – the third clip clearly showing a YouTube warning notice for delicate flowers who might be offended by watching! If the authorities want to make themselves look utterly ridiculous then I can’t really see any problem. Likewise, if they decide to put an artist on trial for singing satirical songs, find me guilty and send me to prison, I have absolutely no problem with that either.

Once again, my predatory stalkers have omitted to include another of my songs which, considering the definition of what they claim to be ‘grossly offensive’, could easily have been subject to similar nonsense charges. I wonder why?

Rendezvous 10am, October 25th, Westminster Mags for a case that risks making legal history.

 

Infighting, like liars, in Zion…

Twitter troll Zionbat is upset after being accused by a fellow Jew of being associated with the Campaign Against Antisemitism :

 

Is CAA Director of Enforcement suggesting that the fellow Jew who wrote a blog in support of suspended Labour candidate Mike Sivier would be an antisemite? How confusing!

 

Zionbat certainly has a point. However, it’s doubtful CAA will attempt to make any such clarification regards its directors’ trolling activities, carelessly confessed to in papers submitted to court and backed up by screenshots.

Saving the best for last, here’s Amanda from Finchley, asking why I’ve still not been shackled and sent to solitary:

 

Oh dear!

And it gets worse :

 

Famous and a figurehead, eh? Maybe it’s high time Amanda decided to throw in the towel regards Israel advocacy and went back to giving online tarot readings instead.

Response to Matt Broomfield in The Independent

Broomfield did not have the courage to publish my comment below his article which appeared late last Sunday. Suspecting this might be the case, I made a copy. Firstly, here’s Broomfield’s section about me:

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My unpublished comment:

As Matt Broomfield would appear to have sympathy for the plight of the Palestinian people, it seems rather strange that he omits to mention references I made about Palestine in my songs and in my talk.

In fact, no doubt relying on memory, Broomfield also manages to misquote, misinterpret and mislead in regard to what I actually said that day. My performance was scripted and was filmed – although not uploaded to YouTube for reasons of jurisprudence.

I most certainly did not say I was in trouble “just for writing a few songs offensive to Jews”, nor did I add any “Come on!” following my remark about Professor Faurisson’s 88th birthday in Vichy.

Most perplexing of all is that this meeting took place three months ago in February, which perhaps partly explains Broomfield’s misquotes and omissions. The judge mentioned recused herself over a month ago and although I am certainly still on bail, this is not the same as being ‘out’ on bail.

Rather than play Kosher Brother, perhaps Broomfield could have investigated why British police closed their investigation into the online harassment and death threats I’ve received since 2015 – investigation closed just two weeks before I was arrested by the same police force for writing a couple of songs? Now that would have been some proper journalism – rather than the poisonous garbage he chooses to spread here.

Then again, Broomfield perhaps believes my grandfather, great-grandfather and countless others who died fighting for this country were fighting so that Brits would face prosecution in their own land for writing satirical songs which upset Jews? Would the author also argue that these men fought and died in order to give queer men the right to marry and adopt children?

And for all those on this thread rambling on and on about the ‘Holocaust’, why not show some proof – or at least accept an honourable debate – rather than trying to criminalise opinions.

***

Update: will Tommy ‘none of my friends and family are white’ Robinson be turning up at Broomfield’s house with a video camera? 

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#JeSuisChabloz – British Jews falter over a song

Thursday December 15, I shall be appearing in court for the first time in my life charged with causing gross offence after posting my song (((Survivors))) on YouTube. What makes this case special is the fact that I am not being prosecuted by the Crown; it is a private prosecution taken on by chairman of the wealthy Zionist ‘charity’, Campaign Against Antisemitism (CAA), Gideon Falter, who – in order to persuade the judge that publishing my song merits a heavy fine – will have to prove that my song is grossly offensive.

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It is quite possible that the CPS is unaware of the case at this stage. As well, in order to prove my song grossly offensive, Falter will have to provide the court with an expert’s report. Falter himself, despite his close association with CAA, is not an expert. The summons reads as follows:

On or about 08/06/2016 at within jurisdiction of the Central Criminal Court caused to be sent by means of a public electronic network communications network, namely, a YouTube video under the title “(((Survivors)))”, that was grossly offensive or of an indecent, obscene or menacing character. Contrary to section 127(1)(b) and (3) of the Communications Act 2003.

At this point, I think it is important to stress that out of the three women who reported me to police for alleged harassment and inciting racial hatred, only one is Jewish. During my interrogation which lasted about an hour and half (I was detained in police custody for six hours in total, including more than two hours locked in a cell), the policeman didn’t even mention the Jewish woman, nor did he read her statement – no doubt supplied on the orders of ‘Amanda from Finchley‘.

Ironically, I was arrested by the same police force which, two years ago, had worded a cease and desist letter, sent by recorded-delivery and signed for by the very same ‘Amanda’, who – along with my other non-Jewish accuser – takes equal first prize in the 2016 Professional Victimisation Championships.

As for the Jewish woman, I have hardly interacted with her at all. Only once to offer her my phone number or a chat via Messenger, which she refused, preferring to troll me on a daily basis rather than have a face-to-face discussion between adults. Indeed, the poor victim is still actively doing everything she can to please her pay-mistress, despite my account being suspended from Twitter.

In scenes worthy of a farce, the pack of Zionists out for my blood is now split into two camps : there are those who want to demonstrate next week outside Westminster Magistrates Court and those who do not…

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Months of hard graft?

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Oh dear, oh dear…

As well, my critics will be no doubt be unhappy about an email of support from a Russian-French philosopher, Anatoly Livry – also of Jewish heritage. Dr. Livry has given me permission to reproduce his kind words on this blog, translated into English.

Dear Madame Chabloz,

I would like to send you a word of support: indeed, although being of Jewish origin I do not feel ‘assaulted’ by your songs in English, which I find both funny and witty.

On the other hand, as a philosopher, I feel that the ever-increasing ‘shoah hysteria’ is ignoble – a weapon used by my former Jewish co-religionists to annihilate the Indo-European peoples of the West.

With my cordial greetings,
Anatoly Livry

Dr. Anatoly Livry
http://anatoly-livry.e-monsite.com/

I agree wholeheartedly with Dr. Livry regards this ‘shoah hysteria’. After Charlie Hebdo, trying to remove my right to artistic freedom of expression is far more offensive that any satirical song.

If you are in London next Thursday, I would greatly appreciate your support. The hearing begins at 10am.

Much love to all. Xx

Alison Chabloz – Musician and British Nationalist – ITEL Radio

Heartfelt thanks to Dennis Fetcho and Inside The Eye – Live! for hosting me on last Saturday’s show. I’m back in the studio this coming Thursday to record four more songs from my upcoming CD ‘Tell Me More Lies’. You can hear the finished title track – with some slight, obligatory Internet radio distortion – during my interview by clicking the link below.

Alison Chabloz – Musician and British Nationalist – ITEL Radio, 11.12.16