As I mentioned the plight of Monika Schaefer in my previous blog post, I thought this would be a good opportunity to finally upload to YouTube a recording of one of our performances together.
In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!
On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.
Looking back over the past 12 months, it’s hard to describe my year as being anything other than eventful. Thank you to all my followers, readers and donors – your support has enabled me to continue the fight and remain strong in the face of ever-increasing adversary.
In the past, – asides those contracts on cruise ships where I entertained live audiences daily – my musical performances were more often than not part of some folk gathering or open mic session. Of course, most artists desire a live audience and such events were always enjoyable, giving me the opportunity to meet other musicians playing the local circuit in the North West and Derbyshire.
There’s no denying that I sometimes feel great sadness about having lost this part of my life. Many of those closest to me now are understandably concerned for my safety and believe that appearing at open mics elsewhere is simply not worth the risk.
As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.
In four weeks time, my trial will take place in London and the three songs concerned will be screened in court. Two clips will show songs from my appearance at The London Forum in September 2016 in front of an audience of roughly 100 people who, considering the standing ovation I received at the end, clearly enjoyed my performance. The third clip is of a song which contains the word SATIRE in the title, which leads me to the point of this blog post.
A couple of comments on my recent YouTube videos have expressed dislike for the curtain – an Indian print – which I have been using as a backdrop. The print doesn’t belong to me and it certainly doesn’t belong to my mother who, I should say, has a more classical taste when it comes to interior design and soft furnishings. Personally, I think the issue has more to do with poor lighting rather than the print itself and I shall try to remedy the situation in the near future.
Subjected to further censorship on YouTube, in this video I have translated a recent upload by Vincent Reynouard who helps us understand why revisionism is crucial to the struggles we face.
I re-uploaded the intro to my original video which has now been censored by YouTube, including in my home country the United Kingdom. In anticipation of my adversaries making a fraudulent complaint, I prepared a separate short clip, instructing viewers who want to continue watching to go to BitChute where the full version is now uploaded with revised subtitles in the French-spoken sections.
Link to full version also below. Please feel free to download, share, mirror and use on your platforms.
Last week, for having expressed myself musically via the Internet, I was entertained at Her Majesty’s pleasure during 48 hours.
Clearly at the beck and call of my predatory stalkers, police first arrested me for an alleged breach of bail outside Court 8 at Westminster Mags then, ten minutes later, de-arrested me. Within half an hour, I was re-arrested on suspicion of inciting racial hatred for my songs (again), handcuffed and carted off to Charing Cross police station where I was held for six hours to await two officers from Derbyshire police to take me back to my home county for questioning.
In Buxton, I spent another 31 hours in custody, was interviewed, rearrested for breaching bail and for another count of sending a ‘grossly offensive message’ – i.e. posting another humorous song on YouTube, clearly marked as SATIRE and which contains NO HATE SPEECH whatsoever – and finally charged with the latter two offences. I was told that the incitement charge is pending police investigation. I was refused bail and informed that police had requested I be held on remand.
On the morning of October 6th, I was again handcuffed and driven in a prison bus to Chesterfield Immediate Remand Court where I pleaded not guilty to malicious communications and was freed under the same bail conditions with the new charge transferred to the next legal argument hearing at Westminster on October 25th.
Now, three days after being released and of course being the subject of all-too-predictable arrogant gloating online from my predatory stalkers (yet total silence from the mainstream press), my impression is that my persecutors were trying to break me.
I was treated badly at Charing Cross, made to suffer three hours of torture in a freezing cold police van with no seat and refused a number of my rights. I have compiled a fully detailed report which has been sent to my lawyers.
All for singing satirical songs? What has happened to this country, when the authorities behave in such a despicable manner towards an artist who has never caused any harm to anyone? What do my predatory stalkers hope to achieve?
Anyway, I am absolutely fine. As I have said before, this kind of persecution only strengthens my resolve. Thanks to everyone who has sent me kind words of support.
The Crown now must convince District Judge Zani that ridiculing Jewish lies, power and influence in a song is grossly offensive. Other points of law to be discussed at the next hearing are whether sharing a URL constitutes sending or causing to be sent a grossly offensive message and deciding whether YouTube is a public communications network.
My bail terms specify that anything I post has to be BOTH racist/anti-Semitic AND grossly offensive in order for me to be charged with a breach. Certainly, one of the interviewing officers didn’t seem to be offended at all – one foot tapping the beat during the showing of a police screencapture video of my alleged musical crimes!
If my trial goes ahead, all the footage of the three songs concerned will be shown in court – the third clip clearly showing a YouTube warning notice for delicate flowers who might be offended by watching! If the authorities want to make themselves look utterly ridiculous then I can’t really see any problem. Likewise, if they decide to put an artist on trial for singing satirical songs, find me guilty and send me to prison, I have absolutely no problem with that either.
Once again, my predatory stalkers have omitted to include another of my songs which, considering the definition of what they claim to be ‘grossly offensive’, could easily have been subject to similar nonsense charges. I wonder why?
Rendezvous 10am, October 25th, Westminster Mags for a case that risks making legal history.