My YouTube channel is now no longer available in the UK – presumably the same applies in other European ‘free, democratic’ states. I’m told that a well-meaning message appears when trying to access my videos: ‘This channel is no longer available, you can unsubscribe here’.
Ah well. I guess I should consider myself lucky that my channel does at least still exist everywhere else – unlike Richie Allen’s.
My critics are certainly spending vast amounts of time, energy and money trying to silence me.
But not all of them!
Above: the famous Schwarzbadturm, Nordpier mit Sonnenrad
By Robert Henderson
[AC: Many thanks to Robert for this account of last week’s Trial Part 1. Robert is no stranger to the negative effects of the UK’s speech laws. For more information, check out his blogs in the links below.]
The trial of Alison Chabloz day 1 – 10 1 2018
Presiding: District Judge John Zani sitting without a jury
Karen Robinson – Prosecuting counsel
Adrian Davies – Defence counsel
Witnesses for the Prosecution
Gideon Falter, chairman of the Campaign Against Antisemitism (CAA)
Stephen Silverman Director of Investigations and Enforcement CAA
As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.
In four weeks time, my trial will take place in London and the three songs concerned will be screened in court. Two clips will show songs from my appearance at The London Forum in September 2016 in front of an audience of roughly 100 people who, considering the standing ovation I received at the end, clearly enjoyed my performance. The third clip is of a song which contains the word SATIRE in the title, which leads me to the point of this blog post.
The full document containing communications between Campaign Against Antisemitism (CAA) and Derbyshire Police and Crime Commissioner’s office (PCC) can be found here.
The correspondence between both organisations begins with a letter to PCC Hardyal Dhindsa from CAA chairman, Gideon Falter, dated June 8 2016. Surely no coincidence that my original demo of (((Survivors))) was uploaded the same day?
Subjected to further censorship on YouTube, in this video I have translated a recent upload by Vincent Reynouard who helps us understand why revisionism is crucial to the struggles we face.
I re-uploaded the intro to my original video which has now been censored by YouTube, including in my home country the United Kingdom. In anticipation of my adversaries making a fraudulent complaint, I prepared a separate short clip, instructing viewers who want to continue watching to go to BitChute where the full version is now uploaded with revised subtitles in the French-spoken sections.
Link to full version also below. Please feel free to download, share, mirror and use on your platforms.
By and large, the general public accepts the given narrative of WW2. The victors get to write history, thereafter ensuring that their version of events is reinforced by way of education, media and, in particular, the funding of onside lawmakers who will eventually be persuaded to bring about legislation that will effectively silence dissenting views. Here in the UK, my court case proceedings show that we are teetering on the brink of a ‘Holocaust’ denial law, as it were, being ushered in through the back door. Nevertheless, if I am found guilty in January, the appeal process will be used, if necessary to the highest level. A brief update of Monday’s hearing can be found here.
Friday June 2, the Crown Prosecution Service informed my lawyer of their intention to discontinue the initial accusation for malicious communications brought against me by Gideon Falter of the Campaign Against Antisemitism for my song (((Survivors))).