When we start to sing, we start to win!

As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.

In four weeks time, my trial will take place in London and the three songs concerned will be screened in court. Two clips will show songs from my appearance at The London Forum in September 2016 in front of an audience of roughly 100 people who, considering the standing ovation I received at the end, clearly enjoyed my performance. The third clip is of a song which contains the word SATIRE in the title, which leads me to the point of this blog post.

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FOI documents reveal malicious intent to remove right to freedom of expression

The full document containing communications between Campaign Against Antisemitism (CAA) and Derbyshire Police and Crime Commissioner’s office (PCC) can be found here.

The correspondence between both organisations begins with a letter to PCC Hardyal Dhindsa from CAA chairman, Gideon Falter, dated June 8 2016. Surely no coincidence that my original demo of (((Survivors))) was uploaded the same day?
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Video ~ Revisionism is at the Heart of our Struggle for Freedom

Subjected to further censorship on YouTube, in this video I have translated a recent upload by Vincent Reynouard who helps us understand why revisionism is crucial to the struggles we face.

Update:

I re-uploaded the intro to my original video which has now been censored by YouTube, including in my home country the United Kingdom. In anticipation of my adversaries making a fraudulent complaint, I prepared a separate short clip, instructing viewers who want to continue watching to go to BitChute where the full version is now uploaded with revised subtitles in the French-spoken sections.

Link to full version also below. Please feel free to download, share, mirror and use on your platforms.

https://www.bitchute.com/video/6Ycc718PAm8g/

 

Matter of Censorship should be a worry to us all

By and large, the general public accepts the given narrative of WW2. The victors get to write history, thereafter ensuring that their version of events is reinforced by way of education, media and, in particular, the funding of onside lawmakers who will eventually be persuaded to bring about legislation that will effectively silence dissenting views. Here in the UK, my court case proceedings show that we are teetering on the brink of a ‘Holocaust’ denial law, as it were, being ushered in through the back door. Nevertheless, if I am found guilty in January, the appeal process will be used, if necessary to the highest level. A brief update of Monday’s hearing can be found here.

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CPS discontinues original charge for my song (((Survivors)))

Friday June 2, the Crown Prosecution Service informed my lawyer of their intention to discontinue the initial accusation for malicious communications brought against me by Gideon Falter of the Campaign Against Antisemitism for my song (((Survivors))).

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Going for a Song with Full Spectrum Dominance

Here is the Wikipedia entry on Full Spectrum Dominance (FSD):

 

Full-spectrum dominance also known as full-spectrum superiority, is a military entity’s achievement of control over all dimensions of the battlespace, effectively possessing an overwhelming diversity of resources in such areas as terrestrial, aerial, maritime, subterranean, extraterrestrial, psychological, and bio- or cyber-technological warfare.

Full spectrum dominance includes the physical battlespace; air, surface and sub-surface as well as the electromagnetic spectrum and information space. Control implies that freedom of opposition force assets to exploit the battlespace is wholly constrained.

[…]

As early as 2005, the credibility of full-spectrum dominance as a practical strategic doctrine was dismissed by Professor Philip Taylor of the University of Leeds[3] an expert consultant to the US and UK governments on psychological operations, propaganda and diplomacy.

“It’s true, though rarely recognized in the control-freakery world of the military, that full spectrum dominance is impossible in the global information environment.”

 

I first became aware of FSD when I noticed that a quote from a blog about me was being used by Google and other search engines to describe my Facebook page.

 

@AJCTmusic @google @antisemitism @facebook I think it’s called all-spectrum dominance. You’ve been marked. Keep going; badge of honor. ūüėČ

‚ÄĒ Paul David Mooney (@pdmoon8) October 6, 2016

 

Google reacted straight away to my feedback. However, Yahoo and Bing have so far failed to remove the rogue FSD description of my page:

 

161107-yahoo-facebook-search

 

The above descriptive of my Facebook page was written by Daniel Leons-Marder whose Twitter profile tells us that he is a soon-to-be lawyer and editor of Everyday Antisemitism Рa blog set up by UK registered charity Campaign Against Antisemitism (CAA).

Let’s look at another example of FSD.¬†In one of my recent posts, I quote two versions of a Wikipedia edit¬†concerning my quenelle salute in Edinburgh last year. Now, as a description of this very blog, Google Search shows the original wiki insert which has since¬†been¬†edited for the following reasons:

 

‚Äúspeculation, no prosecution of Chabloz‚ÄĚ and ‚Äúmisleading comments, reporting someone to the police is not the same as claiming it is an investigation.‚ÄĚ

 

Why is Google using a misleading, speculative Wikipedia insertion –¬†edited no doubt to avoid potential legal consequences¬†– to describe my personal blog? Because this is how FSD¬†agencies operate¬†online:

 

161107-google-antisemitism

 

Chabloz’¬†quenelle and her revisionist songs are a grave threat to society. Normies, music agencies and indeed the entire world must be forewarned¬†before having anything to do with Chabloz and her terrorist tunes!

Online FSD is clearly intended to asphyxiate its targets, both financially and professionally. My music constitutes a Level 6 [million] threat to UK-Israeli business interests. Thus, any potential further support for my art must be hastily quashed.

As with the French CRIF’s legal request to Twitter to take down tweets of my oh so threateningly¬†subversive song, Nemo’s Antisemitic Universe, I strongly suspect that CAA – with its ties to UK government, police and regulatory bodies – is somehow involved in this FSD manipulation of¬†web search terms. Of course, CRIF and CAA share the same tribal objectives. It is my opinion that the legal request sent to Twitter was the lobby’s way of letting both CAFE¬†Director,¬†Paul Fromm, and I¬†know that (((they))) are on to us.

Since when were charities set up in order to intimidate private citizens and try to suppress freedom of speech on certain socio-political issues? ¬†CAA lobbies police to have people they disapprove of arrested and their computers and devices seized. These illegal raids occur with very little chance of prosecution – if any. They are intended to instil fear and stop political enemies of Zionism¬†speaking out against Israel, Jewish ‘conspiracy theories’ and the obvious lies of the HolocaustŠĶÄŠīĻ.

The possibility of suing police for false arrest is available for those with deep pockets. Bullies always target little people.

Twitter shines a clear light on the anonymous accounts working on behalf of CAA. One is Nemo¬†– as featured in the above song: now @Sicaro72 – delicate flower who ran crying to Twitter and allegedly also to police when, after¬†trolling and harassing me for more than a year, I tweeted about wanting to see a rope around his neck and was summarily suspended from Twitter. Another is Andrea Silva’s @RTingBot.

Both these accounts visit my blogs, Facebook, etc., regularly. They sometimes post screenshots of what they find here and there. This blog is monitored and therefore visitors’ IP addresses are visible. It’s fairly easy to keep track: time stamps¬†of tweets correspond to blog hits, especially after posting a new article.

Careful analysis of IP addresses, phone / laptop¬†models and Internet providers seems to show that both these anonymous troll accounts sometimes tweet from the exact same location just off Cheapside in the City of London. Mere coincidence? Or perhaps¬†Shitfox and Sicko are in the throws of a forbidden, budding romance? There also seems to be a connect with Radlett in North London, affectionately known as The New Zion. If this information proves anything, it’s that our pair of Zio lovebirds can’t be that bright.

However, this is a serious issue. The role and function of lobbying organisations masquerading as charities must be called into question. CAA does not carry out charitable work. It is a fraudulent, pro-Zionist enterprise whose main purpose is to bait and entrap anti-Zionists online.

 

By way of deception and full spectrum dominance thou shalt do war. 

 

Next Saturday, November 12 at 4pm GMT, I’ll be the guest on Dennis Fetcho’s Inside the Eye – Live!¬†when I’ll be talking about FSD, CAA, my suspension from Twitter and about my upcoming CD. Do tune in! In contrast to¬†dishonest¬†(((Survivors)))¬†as described in¬†my song, I’ll be sticking to plain facts. Even if, as stated in a¬†recent comment from user My7HiCalD4Rk, my¬†song manages to debunk the HolocaustŠĶÄŠīĻ, the fact that I’m still here and fighting is proof that it’s entirely possible to survive – and indeed thrive – even after being subjected to Full Spectrum Dominance.